“La suavidad de Artemisa”: reflections on the reception of Artemisia Gentileschi in Spain

Two wax busts depicting a man and a woman, with authentic clothing and hair, once part of the Royal Collections and recently placed on display in the Museo del Prado, were previously ascribed to Giovanni Francesco Pieri, a Tuscan wax modeller active in Naples. Thanks to documentation hitherto not...

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Main Author: Jesse Locker
Format: Article
Language:deu
Published: Museo Nacional del Prado 2022-11-01
Series:Boletín del Museo del Prado
Subjects:
Online Access:https://www.museodelprado.es/aprende/boletin/la-suavidad-de-artemisa-reflections-on-the/4a2a6812-ab66-04f2-0f64-570c0c72ae86
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author Jesse Locker
author_facet Jesse Locker
author_sort Jesse Locker
collection DOAJ
description Two wax busts depicting a man and a woman, with authentic clothing and hair, once part of the Royal Collections and recently placed on display in the Museo del Prado, were previously ascribed to Giovanni Francesco Pieri, a Tuscan wax modeller active in Naples. Thanks to documentation hitherto not linked to them, the author proposes to attribute the busts to Filippo Scandellari, the first artist to create realistic wax portrait busts in his birthplace of Bologna. Although these works were intended for private collecting, from the late eighteenth century onwards in Spain there was also a widespread trend for organising popular exhibitions of wax figures, often by Italian artists and entrepreneurs, of whom this article provides an overview, with a particular focus on wax portraits of Spanish royalty.
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publisher Museo Nacional del Prado
record_format Article
series Boletín del Museo del Prado
spelling doaj-art-1325bae25e044907bbfa54671171cb642025-01-23T08:35:08ZdeuMuseo Nacional del PradoBoletín del Museo del Prado0210-81432952-06302022-11-01582022152159“La suavidad de Artemisa”: reflections on the reception of Artemisia Gentileschi in SpainJesse Locker0Universidad Estatal de PortlandTwo wax busts depicting a man and a woman, with authentic clothing and hair, once part of the Royal Collections and recently placed on display in the Museo del Prado, were previously ascribed to Giovanni Francesco Pieri, a Tuscan wax modeller active in Naples. Thanks to documentation hitherto not linked to them, the author proposes to attribute the busts to Filippo Scandellari, the first artist to create realistic wax portrait busts in his birthplace of Bologna. Although these works were intended for private collecting, from the late eighteenth century onwards in Spain there was also a widespread trend for organising popular exhibitions of wax figures, often by Italian artists and entrepreneurs, of whom this article provides an overview, with a particular focus on wax portraits of Spanish royalty. https://www.museodelprado.es/aprende/boletin/la-suavidad-de-artemisa-reflections-on-the/4a2a6812-ab66-04f2-0f64-570c0c72ae86artemisa gentileschibaroquesevillezurbaránmurillotorre farfán
spellingShingle Jesse Locker
“La suavidad de Artemisa”: reflections on the reception of Artemisia Gentileschi in Spain
Boletín del Museo del Prado
artemisa gentileschi
baroque
seville
zurbarán
murillo
torre farfán
title “La suavidad de Artemisa”: reflections on the reception of Artemisia Gentileschi in Spain
title_full “La suavidad de Artemisa”: reflections on the reception of Artemisia Gentileschi in Spain
title_fullStr “La suavidad de Artemisa”: reflections on the reception of Artemisia Gentileschi in Spain
title_full_unstemmed “La suavidad de Artemisa”: reflections on the reception of Artemisia Gentileschi in Spain
title_short “La suavidad de Artemisa”: reflections on the reception of Artemisia Gentileschi in Spain
title_sort la suavidad de artemisa reflections on the reception of artemisia gentileschi in spain
topic artemisa gentileschi
baroque
seville
zurbarán
murillo
torre farfán
url https://www.museodelprado.es/aprende/boletin/la-suavidad-de-artemisa-reflections-on-the/4a2a6812-ab66-04f2-0f64-570c0c72ae86
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