Raphael’s Religious Paintings and Their Early Restorations: Devotional Attention or Aesthetic Appreciation?
This essay explores whether early restorers responded to the cult status of Raphael’s paintings, since Vasari records that several of his religious works carried spiritual power. Evidence from conservation research and from historical documents suggests that both aesthetic and devotional motivations...
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| Format: | Article |
| Language: | English |
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Association CeROArt
2013-10-01
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| Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
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| Online Access: | https://journals.openedition.org/ceroart/3550 |
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| _version_ | 1832578084597923840 |
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| author | Cathleen Hoeniger |
| author_facet | Cathleen Hoeniger |
| author_sort | Cathleen Hoeniger |
| collection | DOAJ |
| description | This essay explores whether early restorers responded to the cult status of Raphael’s paintings, since Vasari records that several of his religious works carried spiritual power. Evidence from conservation research and from historical documents suggests that both aesthetic and devotional motivations were at play, but that the context in which the painting was housed, whether a religious institution or a private gallery, contributed significantly to the response. |
| format | Article |
| id | doaj-art-127091fd89a245b58163c62f96df098c |
| institution | Kabale University |
| issn | 1784-5092 |
| language | English |
| publishDate | 2013-10-01 |
| publisher | Association CeROArt |
| record_format | Article |
| series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| spelling | doaj-art-127091fd89a245b58163c62f96df098c2025-01-30T14:13:24ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922013-10-0110.4000/ceroart.3550Raphael’s Religious Paintings and Their Early Restorations: Devotional Attention or Aesthetic Appreciation?Cathleen HoenigerThis essay explores whether early restorers responded to the cult status of Raphael’s paintings, since Vasari records that several of his religious works carried spiritual power. Evidence from conservation research and from historical documents suggests that both aesthetic and devotional motivations were at play, but that the context in which the painting was housed, whether a religious institution or a private gallery, contributed significantly to the response.https://journals.openedition.org/ceroart/3550restorationconservationRaphaelVasarialtarpiececult |
| spellingShingle | Cathleen Hoeniger Raphael’s Religious Paintings and Their Early Restorations: Devotional Attention or Aesthetic Appreciation? CeROArt : Conservation, Exposition, Restauration d'Objets d'Art restoration conservation Raphael Vasari altarpiece cult |
| title | Raphael’s Religious Paintings and Their Early Restorations: Devotional Attention or Aesthetic Appreciation? |
| title_full | Raphael’s Religious Paintings and Their Early Restorations: Devotional Attention or Aesthetic Appreciation? |
| title_fullStr | Raphael’s Religious Paintings and Their Early Restorations: Devotional Attention or Aesthetic Appreciation? |
| title_full_unstemmed | Raphael’s Religious Paintings and Their Early Restorations: Devotional Attention or Aesthetic Appreciation? |
| title_short | Raphael’s Religious Paintings and Their Early Restorations: Devotional Attention or Aesthetic Appreciation? |
| title_sort | raphael s religious paintings and their early restorations devotional attention or aesthetic appreciation |
| topic | restoration conservation Raphael Vasari altarpiece cult |
| url | https://journals.openedition.org/ceroart/3550 |
| work_keys_str_mv | AT cathleenhoeniger raphaelsreligiouspaintingsandtheirearlyrestorationsdevotionalattentionoraestheticappreciation |