La vie, la mort et la résurrection des objets archéologiques

The circulation of archaeological objects on the art market often results in a change in their status. The Luristan bronzes provide an opportunity to reflect on the way in which the biography of objects can be written in the case of archaeological artefacts, as well as on the various definitions of...

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Main Authors: Anne-Lise Guigues, Zahra Hashemi
Format: Article
Language:fra
Published: École du Louvre 2024-12-01
Series:Les Cahiers de l'École du Louvre
Subjects:
Online Access:https://journals.openedition.org/cel/35522
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author Anne-Lise Guigues
Zahra Hashemi
author_facet Anne-Lise Guigues
Zahra Hashemi
author_sort Anne-Lise Guigues
collection DOAJ
description The circulation of archaeological objects on the art market often results in a change in their status. The Luristan bronzes provide an opportunity to reflect on the way in which the biography of objects can be written in the case of archaeological artefacts, as well as on the various definitions of the life of an object, from its manufacture to its burial, then from its rediscovery to its exhibition. Antiquities from Luristan, unknown when they arrived on the art market in the early twentieth century, were first and foremost “collectors’ items” – dealers played a part in ascertaining their aesthetic and commercial value. The region where antiquities originated sometimes replaced the typology of object when it was described or sold. But archaeological research also gave these pieces a new identity, and they become “archaeological objects” once again. The Luristan bronzes illustrate the complexity of writing history in relation to new archaeological interpretations.
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institution Kabale University
issn 2262-208X
language fra
publishDate 2024-12-01
publisher École du Louvre
record_format Article
series Les Cahiers de l'École du Louvre
spelling doaj-art-10c8821a2eed498884b3bd8224455c042025-01-30T14:00:24ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2024-12-012310.4000/12ydqLa vie, la mort et la résurrection des objets archéologiquesAnne-Lise GuiguesZahra HashemiThe circulation of archaeological objects on the art market often results in a change in their status. The Luristan bronzes provide an opportunity to reflect on the way in which the biography of objects can be written in the case of archaeological artefacts, as well as on the various definitions of the life of an object, from its manufacture to its burial, then from its rediscovery to its exhibition. Antiquities from Luristan, unknown when they arrived on the art market in the early twentieth century, were first and foremost “collectors’ items” – dealers played a part in ascertaining their aesthetic and commercial value. The region where antiquities originated sometimes replaced the typology of object when it was described or sold. But archaeological research also gave these pieces a new identity, and they become “archaeological objects” once again. The Luristan bronzes illustrate the complexity of writing history in relation to new archaeological interpretations.https://journals.openedition.org/cel/35522IranArchaeological excavationsbronzeLuristanantiquities markethalberd
spellingShingle Anne-Lise Guigues
Zahra Hashemi
La vie, la mort et la résurrection des objets archéologiques
Les Cahiers de l'École du Louvre
Iran
Archaeological excavations
bronze
Luristan
antiquities market
halberd
title La vie, la mort et la résurrection des objets archéologiques
title_full La vie, la mort et la résurrection des objets archéologiques
title_fullStr La vie, la mort et la résurrection des objets archéologiques
title_full_unstemmed La vie, la mort et la résurrection des objets archéologiques
title_short La vie, la mort et la résurrection des objets archéologiques
title_sort la vie la mort et la resurrection des objets archeologiques
topic Iran
Archaeological excavations
bronze
Luristan
antiquities market
halberd
url https://journals.openedition.org/cel/35522
work_keys_str_mv AT anneliseguigues lavielamortetlaresurrectiondesobjetsarcheologiques
AT zahrahashemi lavielamortetlaresurrectiondesobjetsarcheologiques