Jusqu’où faut-il aller trop loin : Charles Reade, une esthétique de l’excès
Charles Reade, the novelist (1814-1884), has lain in purgatory for more than one century, apparently because of his taste for excess. Rehabilitation is still to come for the author of It Is Never Too Late to Mend (1856), The Cloister and the Hearth (1861) or Hard Cash (1863), the three works which a...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2006-12-01
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| Series: | Cahiers Victoriens et Edouardiens |
| Online Access: | https://journals.openedition.org/cve/12555 |
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| _version_ | 1832581282188492800 |
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| author | Laurent Bury |
| author_facet | Laurent Bury |
| author_sort | Laurent Bury |
| collection | DOAJ |
| description | Charles Reade, the novelist (1814-1884), has lain in purgatory for more than one century, apparently because of his taste for excess. Rehabilitation is still to come for the author of It Is Never Too Late to Mend (1856), The Cloister and the Hearth (1861) or Hard Cash (1863), the three works which are studied in this paper. Reade never knew how to check his productivity, as exemplified by the constant recycling of his own texts and others’, his desire to shock the Victorian public with bloody episodes, or his decision to leave nothing unsaid, at the risk of crushing his readers under an excessive mass of words. |
| format | Article |
| id | doaj-art-10742b6072d541f79de2e70198f557df |
| institution | Kabale University |
| issn | 0220-5610 2271-6149 |
| language | English |
| publishDate | 2006-12-01 |
| publisher | Presses Universitaires de la Méditerranée |
| record_format | Article |
| series | Cahiers Victoriens et Edouardiens |
| spelling | doaj-art-10742b6072d541f79de2e70198f557df2025-01-30T10:21:00ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492006-12-016310.4000/cve.12555Jusqu’où faut-il aller trop loin : Charles Reade, une esthétique de l’excèsLaurent BuryCharles Reade, the novelist (1814-1884), has lain in purgatory for more than one century, apparently because of his taste for excess. Rehabilitation is still to come for the author of It Is Never Too Late to Mend (1856), The Cloister and the Hearth (1861) or Hard Cash (1863), the three works which are studied in this paper. Reade never knew how to check his productivity, as exemplified by the constant recycling of his own texts and others’, his desire to shock the Victorian public with bloody episodes, or his decision to leave nothing unsaid, at the risk of crushing his readers under an excessive mass of words.https://journals.openedition.org/cve/12555 |
| spellingShingle | Laurent Bury Jusqu’où faut-il aller trop loin : Charles Reade, une esthétique de l’excès Cahiers Victoriens et Edouardiens |
| title | Jusqu’où faut-il aller trop loin : Charles Reade, une esthétique de l’excès |
| title_full | Jusqu’où faut-il aller trop loin : Charles Reade, une esthétique de l’excès |
| title_fullStr | Jusqu’où faut-il aller trop loin : Charles Reade, une esthétique de l’excès |
| title_full_unstemmed | Jusqu’où faut-il aller trop loin : Charles Reade, une esthétique de l’excès |
| title_short | Jusqu’où faut-il aller trop loin : Charles Reade, une esthétique de l’excès |
| title_sort | jusqu ou faut il aller trop loin charles reade une esthetique de l exces |
| url | https://journals.openedition.org/cve/12555 |
| work_keys_str_mv | AT laurentbury jusquoufautilallertroploincharlesreadeuneesthetiquedelexces |