Emergence: Examining Gender in Music through Contemporary Opera
What does it mean to be part of a music industry that, for centuries, has ignored your perspective, undermined your talent and confidence, objectified your body, and systematically erased composers like you from the canon? An acclaimed Australian composer here shares aspects of her current research...
Saved in:
| Main Author: | FELICITY WILCOX |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Milano University Press
2025-03-01
|
| Series: | Sound Stage Screen |
| Subjects: | |
| Online Access: | https://riviste.unimi.it/index.php/sss/article/view/23971 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
How can contemporary opera contribute to the discussion on gender roles? The case of comic-strip opera Alpha
by: Murauskaitė-Juškienė Rasa
Published: (2025-01-01) -
Il teatro d’opera come spazio di socialità a Parma nell’epoca di Du Tillot (1749–1771)
by: Valentina Anzani
Published: (2024-12-01) -
AESTHETIC TRENDS AND DEVELOPMENTS IN BESSARABIAN OPERA MUSIC OF 20th CENTURY
by: Luminiţa GUŢANU
Published: (2011-06-01) -
Types of the modern opera house management. The producer-type repertory theater (on the example of Ural Opera Ballet)
by: Andrey G. Shishkin
Published: (2022-03-01) -
Peter Konwitschny, Opera and Theatre Director Shaping the Profile of the Bratislava Opera of a New Millennium
by: Mojžišová Michaela
Published: (2017-09-01)