Les Madrilènes et les espaces de la ville : de Surcos (José Antonio Nieves Conde, 1951) à Barrio (Fernando León de Aranoa, 1998)
In the construction of the city filmic spaces, the inhabitants constitute a key element, as well as filmic processes, visual or sound. Through six emblematic films produced throughout the second half of 20th century, we analyze how the representation of Madrid inhabitants evolves, what its functions...
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| Main Author: | |
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| Format: | Article |
| Language: | English |
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Centre de Recherches Ibériques et Ibéro-Américaines
2014-12-01
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| Series: | Cahiers de Civilisation Espagnole Contemporaine |
| Subjects: | |
| Online Access: | https://journals.openedition.org/ccec/5237 |
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| Summary: | In the construction of the city filmic spaces, the inhabitants constitute a key element, as well as filmic processes, visual or sound. Through six emblematic films produced throughout the second half of 20th century, we analyze how the representation of Madrid inhabitants evolves, what its functions and characteristics are in the construction of urban and suburban spaces and how it changes depending of the time frame and the singular views of the film directors. |
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| ISSN: | 1957-7761 |