Autoficção em Journal d’un fantôme de Nicolas de Crécy
The origin of Journal d'un fantôme, by Nicolas de Crécy, comes from a GÉO hors-series, designed by graphic artists. This experience will be totally engaged by the author, who questions himself regarding the trip to Brasil, the lodging to him offered, what he sees, the status the magazine gives...
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| Main Authors: | , |
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| Format: | Article |
| Language: | English |
| Published: |
Association Portugaise d'Etudes Françaises
2009-06-01
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| Series: | Carnets |
| Subjects: | |
| Online Access: | https://journals.openedition.org/carnets/4328 |
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| Summary: | The origin of Journal d'un fantôme, by Nicolas de Crécy, comes from a GÉO hors-series, designed by graphic artists. This experience will be totally engaged by the author, who questions himself regarding the trip to Brasil, the lodging to him offered, what he sees, the status the magazine gives him and even of his future responsibility. Truly, each day more citizens question their voyages. The "grand tour" or nothing. Each day our world resembles more – like in the homonym film by Jia Zhang-Ke - a theme park. The apparent artist’s treason can benefit the cultural industry, to which, probably, there is also no bad publicity. The important thing is to discover how de Crécy asks reality to become fantasy and how we might decode the self-fiction in this literary and visual narrative. |
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| ISSN: | 1646-7698 |