Angelo Mangiarotti, Posizione dell’architettura (Position de l’architecture), 1952 : un film comme première sédimentation intellectuelle

Between 1952 and 1953 the Italian architect Angelo Mangiarotti (1921-2012) made the film Posizione dell'architettura. The aim of this study is to analyse this document, placing it in its biographical and historical context. It aims to identify the formal characteristics of the work and its cont...

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Main Author: Yves Ambroset
Format: Article
Language:fra
Published: Ministère de la culture 2024-03-01
Series:Les Cahiers de la Recherche Architecturale, Urbaine et Paysagère
Subjects:
Online Access:https://journals.openedition.org/craup/14039
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author Yves Ambroset
author_facet Yves Ambroset
author_sort Yves Ambroset
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description Between 1952 and 1953 the Italian architect Angelo Mangiarotti (1921-2012) made the film Posizione dell'architettura. The aim of this study is to analyse this document, placing it in its biographical and historical context. It aims to identify the formal characteristics of the work and its content, at a crucial time for the development of the architect's architectural language. The aim is also to identify what makes this film a work of theory, and to demonstrate how this initial intellectual research will have a decisive influence on the architect's entire output.
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spelling doaj-art-0e4ac9da2e4447849dea6043ada6c12d2025-01-30T11:06:19ZfraMinistère de la cultureLes Cahiers de la Recherche Architecturale, Urbaine et Paysagère2606-74982024-03-0110.4000/11pamAngelo Mangiarotti, Posizione dell’architettura (Position de l’architecture), 1952 : un film comme première sédimentation intellectuelleYves AmbrosetBetween 1952 and 1953 the Italian architect Angelo Mangiarotti (1921-2012) made the film Posizione dell'architettura. The aim of this study is to analyse this document, placing it in its biographical and historical context. It aims to identify the formal characteristics of the work and its content, at a crucial time for the development of the architect's architectural language. The aim is also to identify what makes this film a work of theory, and to demonstrate how this initial intellectual research will have a decisive influence on the architect's entire output.https://journals.openedition.org/craup/14039Angelo MangiarottiPosizione dell’architetturaDomusAlfonso GattoLuigi Veronesi
spellingShingle Yves Ambroset
Angelo Mangiarotti, Posizione dell’architettura (Position de l’architecture), 1952 : un film comme première sédimentation intellectuelle
Les Cahiers de la Recherche Architecturale, Urbaine et Paysagère
Angelo Mangiarotti
Posizione dell’architettura
Domus
Alfonso Gatto
Luigi Veronesi
title Angelo Mangiarotti, Posizione dell’architettura (Position de l’architecture), 1952 : un film comme première sédimentation intellectuelle
title_full Angelo Mangiarotti, Posizione dell’architettura (Position de l’architecture), 1952 : un film comme première sédimentation intellectuelle
title_fullStr Angelo Mangiarotti, Posizione dell’architettura (Position de l’architecture), 1952 : un film comme première sédimentation intellectuelle
title_full_unstemmed Angelo Mangiarotti, Posizione dell’architettura (Position de l’architecture), 1952 : un film comme première sédimentation intellectuelle
title_short Angelo Mangiarotti, Posizione dell’architettura (Position de l’architecture), 1952 : un film comme première sédimentation intellectuelle
title_sort angelo mangiarotti posizione dell architettura position de l architecture 1952 un film comme premiere sedimentation intellectuelle
topic Angelo Mangiarotti
Posizione dell’architettura
Domus
Alfonso Gatto
Luigi Veronesi
url https://journals.openedition.org/craup/14039
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