The Worm and the Ecologist: Experiencing Planetarity with Frank Herbert’s Dune

This article explores how Frank Herbert’s 1965 novel Dune offers occasions for the development of an ecological, Gaian sensitivity, pushing the human sensorium towards the planetary (in relation to, and contradistinction to, the global, colonial, and imperial imaginaries) by using tools typical of f...

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Main Author: Pierre-Louis Patoine
Format: Article
Language:English
Published: Association Française d'Etudes Américaines 2023-11-01
Series:Transatlantica
Subjects:
Online Access:https://journals.openedition.org/transatlantica/22124
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author Pierre-Louis Patoine
author_facet Pierre-Louis Patoine
author_sort Pierre-Louis Patoine
collection DOAJ
description This article explores how Frank Herbert’s 1965 novel Dune offers occasions for the development of an ecological, Gaian sensitivity, pushing the human sensorium towards the planetary (in relation to, and contradistinction to, the global, colonial, and imperial imaginaries) by using tools typical of fantasy and science fiction, such as world-building, immersion, sensationalism, terrain navigation, non-modern epistemologies, oneiric possession, geological actants, dragon-like giant sandworms, and human-eating birds. In the novel, these motifs assemble to form thick situations, in which immersed, empathic readers can experience aspects of planetary ecology, thanks to embodied cognition and its sensory and motor simulations.
format Article
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issn 1765-2766
language English
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spelling doaj-art-0e3472ab8fd742bea373a180cd16dec02025-01-30T10:43:34ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662023-11-01210.4000/transatlantica.22124The Worm and the Ecologist: Experiencing Planetarity with Frank Herbert’s DunePierre-Louis PatoineThis article explores how Frank Herbert’s 1965 novel Dune offers occasions for the development of an ecological, Gaian sensitivity, pushing the human sensorium towards the planetary (in relation to, and contradistinction to, the global, colonial, and imperial imaginaries) by using tools typical of fantasy and science fiction, such as world-building, immersion, sensationalism, terrain navigation, non-modern epistemologies, oneiric possession, geological actants, dragon-like giant sandworms, and human-eating birds. In the novel, these motifs assemble to form thick situations, in which immersed, empathic readers can experience aspects of planetary ecology, thanks to embodied cognition and its sensory and motor simulations.https://journals.openedition.org/transatlantica/22124immersionempathyHerbert (Frank)Duneplanetarityembodied cognition
spellingShingle Pierre-Louis Patoine
The Worm and the Ecologist: Experiencing Planetarity with Frank Herbert’s Dune
Transatlantica
immersion
empathy
Herbert (Frank)
Dune
planetarity
embodied cognition
title The Worm and the Ecologist: Experiencing Planetarity with Frank Herbert’s Dune
title_full The Worm and the Ecologist: Experiencing Planetarity with Frank Herbert’s Dune
title_fullStr The Worm and the Ecologist: Experiencing Planetarity with Frank Herbert’s Dune
title_full_unstemmed The Worm and the Ecologist: Experiencing Planetarity with Frank Herbert’s Dune
title_short The Worm and the Ecologist: Experiencing Planetarity with Frank Herbert’s Dune
title_sort worm and the ecologist experiencing planetarity with frank herbert s dune
topic immersion
empathy
Herbert (Frank)
Dune
planetarity
embodied cognition
url https://journals.openedition.org/transatlantica/22124
work_keys_str_mv AT pierrelouispatoine thewormandtheecologistexperiencingplanetaritywithfrankherbertsdune
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