Entre deux, entre trois…
Morocco is a country where cultural and linguistic diversity is a founding principle registered in the constitution and that all rules set out in any level must respect. The purpose of this study is precisely to show that an approach of the preservation of linguistic diversity in the Moroccan cinema...
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Format: | Article |
Language: | fra |
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Presses universitaires de la méditerranée
2015-12-01
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Series: | Lengas |
Subjects: | |
Online Access: | https://journals.openedition.org/lengas/970 |
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author | Abdellatif Fdil |
author_facet | Abdellatif Fdil |
author_sort | Abdellatif Fdil |
collection | DOAJ |
description | Morocco is a country where cultural and linguistic diversity is a founding principle registered in the constitution and that all rules set out in any level must respect. The purpose of this study is precisely to show that an approach of the preservation of linguistic diversity in the Moroccan cinema or in the entire Mediterranean sea, is not moderated to achieve the desired result. Such a problem generated when the pressures of expansionist and radical ideologies on small languages are outside of the report creation and film reception. Moreover, since 2000, the representation of the linguistic identity in the Moroccan microcosm continues to become an integral part of the socio-cultural composition, artistic, literary and cinematic. |
format | Article |
id | doaj-art-0c68b06427eb45f8bc0c1a59f2f97b6a |
institution | Kabale University |
issn | 2271-5703 |
language | fra |
publishDate | 2015-12-01 |
publisher | Presses universitaires de la méditerranée |
record_format | Article |
series | Lengas |
spelling | doaj-art-0c68b06427eb45f8bc0c1a59f2f97b6a2025-01-30T10:33:23ZfraPresses universitaires de la méditerranéeLengas2271-57032015-12-017810.4000/lengas.970Entre deux, entre trois…Abdellatif FdilMorocco is a country where cultural and linguistic diversity is a founding principle registered in the constitution and that all rules set out in any level must respect. The purpose of this study is precisely to show that an approach of the preservation of linguistic diversity in the Moroccan cinema or in the entire Mediterranean sea, is not moderated to achieve the desired result. Such a problem generated when the pressures of expansionist and radical ideologies on small languages are outside of the report creation and film reception. Moreover, since 2000, the representation of the linguistic identity in the Moroccan microcosm continues to become an integral part of the socio-cultural composition, artistic, literary and cinematic.https://journals.openedition.org/lengas/970linguistic diversityMediterranean cinemapluralityinterculturalismviewpointscultural diversity |
spellingShingle | Abdellatif Fdil Entre deux, entre trois… Lengas linguistic diversity Mediterranean cinema plurality interculturalism viewpoints cultural diversity |
title | Entre deux, entre trois… |
title_full | Entre deux, entre trois… |
title_fullStr | Entre deux, entre trois… |
title_full_unstemmed | Entre deux, entre trois… |
title_short | Entre deux, entre trois… |
title_sort | entre deux entre trois |
topic | linguistic diversity Mediterranean cinema plurality interculturalism viewpoints cultural diversity |
url | https://journals.openedition.org/lengas/970 |
work_keys_str_mv | AT abdellatiffdil entredeuxentretrois |