The Restoration of Paintings at the Beginning of the Nineteenth Century in the Imperial Gallery
The paintings in the Imperial collection in Vienna underwent several phases of restoration treatments. In most cases they can be linked to events in the history of the picture gallery. In the years around 1800 the treatments seemed to be caused mainly by aesthetical aspects: many changes to the form...
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| Format: | Article |
| Language: | English |
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Association CeROArt
2012-04-01
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| Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
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| Online Access: | https://journals.openedition.org/ceroart/2336 |
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| _version_ | 1832578082770255872 |
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| author | Alice Hoppe-Harnoncourt |
| author_facet | Alice Hoppe-Harnoncourt |
| author_sort | Alice Hoppe-Harnoncourt |
| collection | DOAJ |
| description | The paintings in the Imperial collection in Vienna underwent several phases of restoration treatments. In most cases they can be linked to events in the history of the picture gallery. In the years around 1800 the treatments seemed to be caused mainly by aesthetical aspects: many changes to the format of the paintings can be traced to that time. However, the treatments after the era of the Napoleonic wars were different: Most of the gallery’s panel paintings were cradled at that time. Since this method was applied systematically, it was probably considered as solution for a long lasting conservation. |
| format | Article |
| id | doaj-art-0b30b8a930bb4eaa8fe4a9aa9391e4e1 |
| institution | Kabale University |
| issn | 1784-5092 |
| language | English |
| publishDate | 2012-04-01 |
| publisher | Association CeROArt |
| record_format | Article |
| series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| spelling | doaj-art-0b30b8a930bb4eaa8fe4a9aa9391e4e12025-01-30T14:13:49ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922012-04-0110.4000/ceroart.2336The Restoration of Paintings at the Beginning of the Nineteenth Century in the Imperial GalleryAlice Hoppe-HarnoncourtThe paintings in the Imperial collection in Vienna underwent several phases of restoration treatments. In most cases they can be linked to events in the history of the picture gallery. In the years around 1800 the treatments seemed to be caused mainly by aesthetical aspects: many changes to the format of the paintings can be traced to that time. However, the treatments after the era of the Napoleonic wars were different: Most of the gallery’s panel paintings were cradled at that time. Since this method was applied systematically, it was probably considered as solution for a long lasting conservation.https://journals.openedition.org/ceroart/2336ViennaImperial Galleryparquettranspositionon canvas |
| spellingShingle | Alice Hoppe-Harnoncourt The Restoration of Paintings at the Beginning of the Nineteenth Century in the Imperial Gallery CeROArt : Conservation, Exposition, Restauration d'Objets d'Art Vienna Imperial Gallery parquet transpositionon canvas |
| title | The Restoration of Paintings at the Beginning of the Nineteenth Century in the Imperial Gallery |
| title_full | The Restoration of Paintings at the Beginning of the Nineteenth Century in the Imperial Gallery |
| title_fullStr | The Restoration of Paintings at the Beginning of the Nineteenth Century in the Imperial Gallery |
| title_full_unstemmed | The Restoration of Paintings at the Beginning of the Nineteenth Century in the Imperial Gallery |
| title_short | The Restoration of Paintings at the Beginning of the Nineteenth Century in the Imperial Gallery |
| title_sort | restoration of paintings at the beginning of the nineteenth century in the imperial gallery |
| topic | Vienna Imperial Gallery parquet transpositionon canvas |
| url | https://journals.openedition.org/ceroart/2336 |
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