Poetry in the Age of New Sound Technology: Mallarmé to Tennyson
The meaning that sounds carry has always mattered to poetry but in a culture developing new communication technology using sound, the Victorians heard poetry's capacities to signal to the ear anew. This essay considers a number of poets writing after the invention, principally, of Morse code, t...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2009-04-01
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| Series: | Cahiers Victoriens et Edouardiens |
| Online Access: | https://journals.openedition.org/cve/5811 |
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| _version_ | 1832581212787441664 |
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| author | Francis O’Gorman |
| author_facet | Francis O’Gorman |
| author_sort | Francis O’Gorman |
| collection | DOAJ |
| description | The meaning that sounds carry has always mattered to poetry but in a culture developing new communication technology using sound, the Victorians heard poetry's capacities to signal to the ear anew. This essay considers a number of poets writing after the invention, principally, of Morse code, the telegraph and the telephone, and their culturally-pertinent ruminations on what human messages sound could bear across space and time. The essay concludes with Alfred Tennyson's life-long interest in the meanings of sound. It suggests ways in which telegraphy provides an analogue to his conceptions of the survival of the meaning of the dead through messages in the air. |
| format | Article |
| id | doaj-art-0ac0526925774f668e2cef0e65578247 |
| institution | Kabale University |
| issn | 0220-5610 2271-6149 |
| language | English |
| publishDate | 2009-04-01 |
| publisher | Presses Universitaires de la Méditerranée |
| record_format | Article |
| series | Cahiers Victoriens et Edouardiens |
| spelling | doaj-art-0ac0526925774f668e2cef0e655782472025-01-30T10:22:10ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492009-04-016910.4000/cve.5811Poetry in the Age of New Sound Technology: Mallarmé to TennysonFrancis O’GormanThe meaning that sounds carry has always mattered to poetry but in a culture developing new communication technology using sound, the Victorians heard poetry's capacities to signal to the ear anew. This essay considers a number of poets writing after the invention, principally, of Morse code, the telegraph and the telephone, and their culturally-pertinent ruminations on what human messages sound could bear across space and time. The essay concludes with Alfred Tennyson's life-long interest in the meanings of sound. It suggests ways in which telegraphy provides an analogue to his conceptions of the survival of the meaning of the dead through messages in the air.https://journals.openedition.org/cve/5811 |
| spellingShingle | Francis O’Gorman Poetry in the Age of New Sound Technology: Mallarmé to Tennyson Cahiers Victoriens et Edouardiens |
| title | Poetry in the Age of New Sound Technology: Mallarmé to Tennyson |
| title_full | Poetry in the Age of New Sound Technology: Mallarmé to Tennyson |
| title_fullStr | Poetry in the Age of New Sound Technology: Mallarmé to Tennyson |
| title_full_unstemmed | Poetry in the Age of New Sound Technology: Mallarmé to Tennyson |
| title_short | Poetry in the Age of New Sound Technology: Mallarmé to Tennyson |
| title_sort | poetry in the age of new sound technology mallarme to tennyson |
| url | https://journals.openedition.org/cve/5811 |
| work_keys_str_mv | AT francisogorman poetryintheageofnewsoundtechnologymallarmetotennyson |