A l’origine des couleurs et éléments matériels d’œuvres peintes des XIVe-XVIe siècles

This paper is devoted to applied brocade, subject of the colloquium published here, and to others techniques of textile imitation such tin reliefs, sgraffito … encountred in painting and sculpture in the Middle Ages. An abstract of theses techniques is presented, and the methodology observed crossin...

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Main Authors: Anne-Solenn Le Hô, Sandra Montlouis, Sandrine Pagès-Camagna†, Nathalie Pingaud, Yannick Vandenberghe
Format: Article
Language:English
Published: Association CeROArt 2021-03-01
Series:CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
Subjects:
Online Access:https://journals.openedition.org/ceroart/7933
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author Anne-Solenn Le Hô
Sandra Montlouis
Sandrine Pagès-Camagna†
Nathalie Pingaud
Yannick Vandenberghe
author_facet Anne-Solenn Le Hô
Sandra Montlouis
Sandrine Pagès-Camagna†
Nathalie Pingaud
Yannick Vandenberghe
author_sort Anne-Solenn Le Hô
collection DOAJ
description This paper is devoted to applied brocade, subject of the colloquium published here, and to others techniques of textile imitation such tin reliefs, sgraffito … encountred in painting and sculpture in the Middle Ages. An abstract of theses techniques is presented, and the methodology observed crossing observations and analysis describe the techniques and material features, the state of conservation, and the way to investigate the fragments often very lacunars. The Data providing from 55 sculptures have been compiled and confronted. They are dating from XIVth Century to XVIth Century, a very important period for the use of these ornaments ; they come from France, Germany, and Flanders. Cases Studies illustrate the techniques used in this corpus, studied at C2RMF by about thirty years.
format Article
id doaj-art-095ac0c4cbc847abbefba144e5e19508
institution Kabale University
issn 1784-5092
language English
publishDate 2021-03-01
publisher Association CeROArt
record_format Article
series CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
spelling doaj-art-095ac0c4cbc847abbefba144e5e195082025-01-30T14:14:20ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922021-03-0110.4000/ceroart.7933A l’origine des couleurs et éléments matériels d’œuvres peintes des XIVe-XVIe sièclesAnne-Solenn Le HôSandra MontlouisSandrine Pagès-Camagna†Nathalie PingaudYannick VandenbergheThis paper is devoted to applied brocade, subject of the colloquium published here, and to others techniques of textile imitation such tin reliefs, sgraffito … encountred in painting and sculpture in the Middle Ages. An abstract of theses techniques is presented, and the methodology observed crossing observations and analysis describe the techniques and material features, the state of conservation, and the way to investigate the fragments often very lacunars. The Data providing from 55 sculptures have been compiled and confronted. They are dating from XIVth Century to XVIth Century, a very important period for the use of these ornaments ; they come from France, Germany, and Flanders. Cases Studies illustrate the techniques used in this corpus, studied at C2RMF by about thirty years.https://journals.openedition.org/ceroart/7933paintingsculpturetextilebrocart appliquéimitationdecorative setting
spellingShingle Anne-Solenn Le Hô
Sandra Montlouis
Sandrine Pagès-Camagna†
Nathalie Pingaud
Yannick Vandenberghe
A l’origine des couleurs et éléments matériels d’œuvres peintes des XIVe-XVIe siècles
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
painting
sculpture
textile
brocart appliqué
imitation
decorative setting
title A l’origine des couleurs et éléments matériels d’œuvres peintes des XIVe-XVIe siècles
title_full A l’origine des couleurs et éléments matériels d’œuvres peintes des XIVe-XVIe siècles
title_fullStr A l’origine des couleurs et éléments matériels d’œuvres peintes des XIVe-XVIe siècles
title_full_unstemmed A l’origine des couleurs et éléments matériels d’œuvres peintes des XIVe-XVIe siècles
title_short A l’origine des couleurs et éléments matériels d’œuvres peintes des XIVe-XVIe siècles
title_sort l origine des couleurs et elements materiels d oeuvres peintes des xive xvie siecles
topic painting
sculpture
textile
brocart appliqué
imitation
decorative setting
url https://journals.openedition.org/ceroart/7933
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