With the Whip into the Dirty Orient: The Depiction of the Orient in Oskar Mann’s Travel Letters

The present article deals with the travel letters of the German orientalist Oskar Mann (1867-1917). With financial support from the Royal Prussian Academy of Sciences, Mann made two expeditions to the Ottoman Empire and Iran between 1901 and 1906 to research the Iranian languages and dialects. Trave...

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Main Author: Remzi Avcı
Format: Article
Language:deu
Published: Istanbul University Press 2021-12-01
Series:Studien zur Deutschen Sprache und Literatur
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Online Access:https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/BBDB91F2BC1643F683DE514D80B247AE
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author Remzi Avcı
author_facet Remzi Avcı
author_sort Remzi Avcı
collection DOAJ
description The present article deals with the travel letters of the German orientalist Oskar Mann (1867-1917). With financial support from the Royal Prussian Academy of Sciences, Mann made two expeditions to the Ottoman Empire and Iran between 1901 and 1906 to research the Iranian languages and dialects. Travel letters and travel diariesare texts with relatively subjective value judgments, in which people and cultures are often described using ethnocentric stereotypes, because a real journey represents a cultural encounter and confrontation with the other that offers unique and invaluable information about the new world. The description of a foreign culture cannot be separated from the subjective value judgments of a traveller. This means the foreign world in which the traveller moves is represented by the subject who experiences it. According to Mann, the Orientals are people from a place that has surrendered to the West. He separates the Orient from the Occident with precise and sharp lines and divides them Eurocentrically into two separate categories. During his travels, Mann produced and imparted knowledge about the foreign cultures on the one hand, and on the other hand he spread and reinforced images and prejudices as well as stereotypes that led to the ontological differentiation between Orient and Occident. This essay tries to show that he perceived the Orient with hegemonic thought patterns and that his foreign imagination remained deeply rooted in the classic European orientalist discourse of the 19th century, and as a consequence the Orient was devalued. This study discusses the stereotypes, images and pattern of ideas that he used to represent the population of the foreign country where he travelled.
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series Studien zur Deutschen Sprache und Literatur
spelling doaj-art-08b29aecfdf74b9a88e7f3cd38a4a3ab2025-08-20T02:13:47ZdeuIstanbul University PressStudien zur Deutschen Sprache und Literatur2619-98902021-12-014610111910.26650/sdsl2021-988686123456With the Whip into the Dirty Orient: The Depiction of the Orient in Oskar Mann’s Travel LettersRemzi Avcı0https://orcid.org/0000-0002-8539-9203Mardin Artuklu Üniversitesi, Mardin, TurkiyeThe present article deals with the travel letters of the German orientalist Oskar Mann (1867-1917). With financial support from the Royal Prussian Academy of Sciences, Mann made two expeditions to the Ottoman Empire and Iran between 1901 and 1906 to research the Iranian languages and dialects. Travel letters and travel diariesare texts with relatively subjective value judgments, in which people and cultures are often described using ethnocentric stereotypes, because a real journey represents a cultural encounter and confrontation with the other that offers unique and invaluable information about the new world. The description of a foreign culture cannot be separated from the subjective value judgments of a traveller. This means the foreign world in which the traveller moves is represented by the subject who experiences it. According to Mann, the Orientals are people from a place that has surrendered to the West. He separates the Orient from the Occident with precise and sharp lines and divides them Eurocentrically into two separate categories. During his travels, Mann produced and imparted knowledge about the foreign cultures on the one hand, and on the other hand he spread and reinforced images and prejudices as well as stereotypes that led to the ontological differentiation between Orient and Occident. This essay tries to show that he perceived the Orient with hegemonic thought patterns and that his foreign imagination remained deeply rooted in the classic European orientalist discourse of the 19th century, and as a consequence the Orient was devalued. This study discusses the stereotypes, images and pattern of ideas that he used to represent the population of the foreign country where he travelled.https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/BBDB91F2BC1643F683DE514D80B247AEoskar manniraniranian ethnic groupsorient-imaginationtravel lettersstereotypes
spellingShingle Remzi Avcı
With the Whip into the Dirty Orient: The Depiction of the Orient in Oskar Mann’s Travel Letters
Studien zur Deutschen Sprache und Literatur
oskar mann
iran
iranian ethnic groups
orient-imagination
travel letters
stereotypes
title With the Whip into the Dirty Orient: The Depiction of the Orient in Oskar Mann’s Travel Letters
title_full With the Whip into the Dirty Orient: The Depiction of the Orient in Oskar Mann’s Travel Letters
title_fullStr With the Whip into the Dirty Orient: The Depiction of the Orient in Oskar Mann’s Travel Letters
title_full_unstemmed With the Whip into the Dirty Orient: The Depiction of the Orient in Oskar Mann’s Travel Letters
title_short With the Whip into the Dirty Orient: The Depiction of the Orient in Oskar Mann’s Travel Letters
title_sort with the whip into the dirty orient the depiction of the orient in oskar mann s travel letters
topic oskar mann
iran
iranian ethnic groups
orient-imagination
travel letters
stereotypes
url https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/BBDB91F2BC1643F683DE514D80B247AE
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