White phenomena on the surfaces of 24 unvarnished paintings by Willem Witsen

White phenomena on the surfaces of 24 unvarnished paintings by Willem Witsen (1860-1923) were examined. Five types could be distinguished using a stereo-microscope. Analyses showed that the spheres consisted of pure starch, while the other phenomena noted consisted of lead soaps and salts. This pape...

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Main Author: Sara Molinari
Format: Article
Language:English
Published: Association CeROArt 2014-03-01
Series:CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
Subjects:
Online Access:https://journals.openedition.org/ceroart/3994
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author Sara Molinari
author_facet Sara Molinari
author_sort Sara Molinari
collection DOAJ
description White phenomena on the surfaces of 24 unvarnished paintings by Willem Witsen (1860-1923) were examined. Five types could be distinguished using a stereo-microscope. Analyses showed that the spheres consisted of pure starch, while the other phenomena noted consisted of lead soaps and salts. This paper shows that starch and the lead components may have migrated from within the paintings to their surfaces, possibly due to unstable climate conditions in the past.
format Article
id doaj-art-08577b49e2e34434923e5fda8844009f
institution Kabale University
issn 1784-5092
language English
publishDate 2014-03-01
publisher Association CeROArt
record_format Article
series CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
spelling doaj-art-08577b49e2e34434923e5fda8844009f2025-01-30T14:13:00ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922014-03-01410.4000/ceroart.3994White phenomena on the surfaces of 24 unvarnished paintings by Willem WitsenSara MolinariWhite phenomena on the surfaces of 24 unvarnished paintings by Willem Witsen (1860-1923) were examined. Five types could be distinguished using a stereo-microscope. Analyses showed that the spheres consisted of pure starch, while the other phenomena noted consisted of lead soaps and salts. This paper shows that starch and the lead components may have migrated from within the paintings to their surfaces, possibly due to unstable climate conditions in the past.https://journals.openedition.org/ceroart/3994blanchingWillem Witsenefflorescencebloominglead soapslead carboxylates
spellingShingle Sara Molinari
White phenomena on the surfaces of 24 unvarnished paintings by Willem Witsen
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
blanching
Willem Witsen
efflorescence
blooming
lead soaps
lead carboxylates
title White phenomena on the surfaces of 24 unvarnished paintings by Willem Witsen
title_full White phenomena on the surfaces of 24 unvarnished paintings by Willem Witsen
title_fullStr White phenomena on the surfaces of 24 unvarnished paintings by Willem Witsen
title_full_unstemmed White phenomena on the surfaces of 24 unvarnished paintings by Willem Witsen
title_short White phenomena on the surfaces of 24 unvarnished paintings by Willem Witsen
title_sort white phenomena on the surfaces of 24 unvarnished paintings by willem witsen
topic blanching
Willem Witsen
efflorescence
blooming
lead soaps
lead carboxylates
url https://journals.openedition.org/ceroart/3994
work_keys_str_mv AT saramolinari whitephenomenaonthesurfacesof24unvarnishedpaintingsbywillemwitsen