How to Undo Things and Selves with Words: Understanding Literature as Praxis in Virginia Woolf’s Essays on Actresses

Virginia Woolf reflects on her own medium in relation to the notion of personality. This article reads her essay “Personalities” (1947), in which she explores the reader’s response to the personalities of writers, in light of three essays that discuss the art of acting embodied by three celebrated n...

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Main Author: Caroline Marie
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2024-12-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/16682
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author Caroline Marie
author_facet Caroline Marie
author_sort Caroline Marie
collection DOAJ
description Virginia Woolf reflects on her own medium in relation to the notion of personality. This article reads her essay “Personalities” (1947), in which she explores the reader’s response to the personalities of writers, in light of three essays that discuss the art of acting embodied by three celebrated nineteenth-century actresses, “The Memoirs of Sarah Bernhardt” (1908), “Rachel” (1911) and “Ellen Terry” (1941). It argues that Woolf theatricalises literature to understand it through the art of acting, in particular the building up of characters. Actresses embodying nineteenth-century acting, Ellen Terry, Sarah Bernhard and Rachel, as well as Woolf’s contemporary Lydia Lopokova, whose performance is reviewed in “Twelfth Night at the Old Vic” (1933), mediate Woolf’s reflection on literature from different perspectives: writing with the body, reading with gestures, creating from anecdotes, and becoming other.
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spelling doaj-art-08010ee8a4f843ae9f5f22796b8978162025-01-30T13:48:26ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022024-12-013710.4000/13199How to Undo Things and Selves with Words: Understanding Literature as Praxis in Virginia Woolf’s Essays on ActressesCaroline MarieVirginia Woolf reflects on her own medium in relation to the notion of personality. This article reads her essay “Personalities” (1947), in which she explores the reader’s response to the personalities of writers, in light of three essays that discuss the art of acting embodied by three celebrated nineteenth-century actresses, “The Memoirs of Sarah Bernhardt” (1908), “Rachel” (1911) and “Ellen Terry” (1941). It argues that Woolf theatricalises literature to understand it through the art of acting, in particular the building up of characters. Actresses embodying nineteenth-century acting, Ellen Terry, Sarah Bernhard and Rachel, as well as Woolf’s contemporary Lydia Lopokova, whose performance is reviewed in “Twelfth Night at the Old Vic” (1933), mediate Woolf’s reflection on literature from different perspectives: writing with the body, reading with gestures, creating from anecdotes, and becoming other.https://journals.openedition.org/sillagescritiques/16682bodygesturetheatre studiesWoolf (Virginia)Victorian theatreactress
spellingShingle Caroline Marie
How to Undo Things and Selves with Words: Understanding Literature as Praxis in Virginia Woolf’s Essays on Actresses
Sillages Critiques
body
gesture
theatre studies
Woolf (Virginia)
Victorian theatre
actress
title How to Undo Things and Selves with Words: Understanding Literature as Praxis in Virginia Woolf’s Essays on Actresses
title_full How to Undo Things and Selves with Words: Understanding Literature as Praxis in Virginia Woolf’s Essays on Actresses
title_fullStr How to Undo Things and Selves with Words: Understanding Literature as Praxis in Virginia Woolf’s Essays on Actresses
title_full_unstemmed How to Undo Things and Selves with Words: Understanding Literature as Praxis in Virginia Woolf’s Essays on Actresses
title_short How to Undo Things and Selves with Words: Understanding Literature as Praxis in Virginia Woolf’s Essays on Actresses
title_sort how to undo things and selves with words understanding literature as praxis in virginia woolf s essays on actresses
topic body
gesture
theatre studies
Woolf (Virginia)
Victorian theatre
actress
url https://journals.openedition.org/sillagescritiques/16682
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