Transmission of Hadroh Kuntulan Banyuwangi Art through Community-Based Art Education

This research explores cultural strategies through education, specifically focusing on Community-Based Art Education (CBAE) in Banyuwangi. In order to achieve the stated objective, a qualitative descriptive method was adopted to examine the Kuntulan art form, particularly Hadroh Kuntulan. The art fo...

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Main Authors: Sri Hermawati Hermawati, Supriadi Didin, Turnip Yehezkiel Petrus, Srimoko Gandung Joko, Saryanto, Tarwiyah Tuti
Format: Article
Language:English
Published: Institut Seni Indonesia Denpasar 2025-02-01
Series:Mudra: Jurnal Seni Budaya
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Online Access:https://jurnal.isi-dps.ac.id/index.php/mudra/article/view/2859
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author Sri Hermawati Hermawati
Supriadi Didin
Turnip Yehezkiel Petrus
Srimoko Gandung Joko
Saryanto
Tarwiyah Tuti
author_facet Sri Hermawati Hermawati
Supriadi Didin
Turnip Yehezkiel Petrus
Srimoko Gandung Joko
Saryanto
Tarwiyah Tuti
author_sort Sri Hermawati Hermawati
collection DOAJ
description This research explores cultural strategies through education, specifically focusing on Community-Based Art Education (CBAE) in Banyuwangi. In order to achieve the stated objective, a qualitative descriptive method was adopted to examine the Kuntulan art form, particularly Hadroh Kuntulan. The art form consisted of playing Hadroh music accompanied by sholawat singing and pencak silat movements that have evolved into dance. This investigation was conducted in Banje Hamlet, Bubuk Village, Rogodjampi District, Banyuwangi Regency, East Java, at Islamic Junior High School 8 & Art Studio Gholet Dhulur. The location was selected primarily due to the presence of the Using tribe, which, unlike more well-known groups such as the Baduy and Sasak tribes, remains relatively unknown. Typically, cultural transmission through Community-Based Art Education (CBAE) is facilitated by integrating educational institutions. Within the context of the present exploration, this studio played a central role. In Indonesia, art education is usually incorporated into a school's intracurricular and extracurricular curriculum. These institutions typically form school-age music groups comprising students from various schools. Within this construct, schools and social institutions function as program planners, students as learners, and the broader community as a source of cultural knowledge. The results obtained from this study show that the integration of cultural arts into the school curriculum through partnerships with social institutions plays a crucial role in preserving cultural heritage. It also emphasized that the resilience of these cultural traditions is sustained through the active support and inclusiveness of the community.
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spelling doaj-art-05904cd5df934e4989de4223993bc2f62025-08-20T03:11:14ZengInstitut Seni Indonesia DenpasarMudra: Jurnal Seni Budaya0854-34612541-04072025-02-0140110.31091/mudra.v40i1.2859Transmission of Hadroh Kuntulan Banyuwangi Art through Community-Based Art EducationSri Hermawati Hermawati0Supriadi DidinTurnip Yehezkiel PetrusSrimoko Gandung JokoSaryantoTarwiyah TutiFakultas Bahasa dan Seni, Universitas Negeri JakartaThis research explores cultural strategies through education, specifically focusing on Community-Based Art Education (CBAE) in Banyuwangi. In order to achieve the stated objective, a qualitative descriptive method was adopted to examine the Kuntulan art form, particularly Hadroh Kuntulan. The art form consisted of playing Hadroh music accompanied by sholawat singing and pencak silat movements that have evolved into dance. This investigation was conducted in Banje Hamlet, Bubuk Village, Rogodjampi District, Banyuwangi Regency, East Java, at Islamic Junior High School 8 & Art Studio Gholet Dhulur. The location was selected primarily due to the presence of the Using tribe, which, unlike more well-known groups such as the Baduy and Sasak tribes, remains relatively unknown. Typically, cultural transmission through Community-Based Art Education (CBAE) is facilitated by integrating educational institutions. Within the context of the present exploration, this studio played a central role. In Indonesia, art education is usually incorporated into a school's intracurricular and extracurricular curriculum. These institutions typically form school-age music groups comprising students from various schools. Within this construct, schools and social institutions function as program planners, students as learners, and the broader community as a source of cultural knowledge. The results obtained from this study show that the integration of cultural arts into the school curriculum through partnerships with social institutions plays a crucial role in preserving cultural heritage. It also emphasized that the resilience of these cultural traditions is sustained through the active support and inclusiveness of the community.https://jurnal.isi-dps.ac.id/index.php/mudra/article/view/2859kuntulancultural transmissioncommunity basedPendidikan seni
spellingShingle Sri Hermawati Hermawati
Supriadi Didin
Turnip Yehezkiel Petrus
Srimoko Gandung Joko
Saryanto
Tarwiyah Tuti
Transmission of Hadroh Kuntulan Banyuwangi Art through Community-Based Art Education
Mudra: Jurnal Seni Budaya
kuntulan
cultural transmission
community based
Pendidikan seni
title Transmission of Hadroh Kuntulan Banyuwangi Art through Community-Based Art Education
title_full Transmission of Hadroh Kuntulan Banyuwangi Art through Community-Based Art Education
title_fullStr Transmission of Hadroh Kuntulan Banyuwangi Art through Community-Based Art Education
title_full_unstemmed Transmission of Hadroh Kuntulan Banyuwangi Art through Community-Based Art Education
title_short Transmission of Hadroh Kuntulan Banyuwangi Art through Community-Based Art Education
title_sort transmission of hadroh kuntulan banyuwangi art through community based art education
topic kuntulan
cultural transmission
community based
Pendidikan seni
url https://jurnal.isi-dps.ac.id/index.php/mudra/article/view/2859
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AT srimokogandungjoko transmissionofhadrohkuntulanbanyuwangiartthroughcommunitybasedarteducation
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