The Haunted House in Contemporary Filmic and Literary Gothic Narratives of Trauma

Haunted houses are still a central figure in contemporary American film and literature alike. Contemporary narratives of haunting are acutely aware that the haunted house is the psyche itself: the motif has become prevalent in postmodern narratives staging the “haunted self” of survivors of trauma....

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Main Author: Monica Michlin
Format: Article
Language:English
Published: Association Française d'Etudes Américaines 2013-05-01
Series:Transatlantica
Subjects:
Online Access:https://journals.openedition.org/transatlantica/5933
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author Monica Michlin
author_facet Monica Michlin
author_sort Monica Michlin
collection DOAJ
description Haunted houses are still a central figure in contemporary American film and literature alike. Contemporary narratives of haunting are acutely aware that the haunted house is the psyche itself: the motif has become prevalent in postmodern narratives staging the “haunted self” of survivors of trauma. These Gothic texts or films often stage maze imagery that simultaneously captures the characters’ feelings of terror and alienation, and Gothic postmodern texts’ complexity, playing on their status as “haunted houses” of images and/or words, and, in an ultimate gothic twist, on the “ghosting” of the text itself.
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institution Kabale University
issn 1765-2766
language English
publishDate 2013-05-01
publisher Association Française d'Etudes Américaines
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series Transatlantica
spelling doaj-art-048dd50fa07c4d468b086509c85ffe1d2025-01-30T10:48:02ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662013-05-01110.4000/transatlantica.5933The Haunted House in Contemporary Filmic and Literary Gothic Narratives of TraumaMonica MichlinHaunted houses are still a central figure in contemporary American film and literature alike. Contemporary narratives of haunting are acutely aware that the haunted house is the psyche itself: the motif has become prevalent in postmodern narratives staging the “haunted self” of survivors of trauma. These Gothic texts or films often stage maze imagery that simultaneously captures the characters’ feelings of terror and alienation, and Gothic postmodern texts’ complexity, playing on their status as “haunted houses” of images and/or words, and, in an ultimate gothic twist, on the “ghosting” of the text itself.https://journals.openedition.org/transatlantica/5933traumadissociationghostingGothichaunted housesmaze
spellingShingle Monica Michlin
The Haunted House in Contemporary Filmic and Literary Gothic Narratives of Trauma
Transatlantica
trauma
dissociation
ghosting
Gothic
haunted houses
maze
title The Haunted House in Contemporary Filmic and Literary Gothic Narratives of Trauma
title_full The Haunted House in Contemporary Filmic and Literary Gothic Narratives of Trauma
title_fullStr The Haunted House in Contemporary Filmic and Literary Gothic Narratives of Trauma
title_full_unstemmed The Haunted House in Contemporary Filmic and Literary Gothic Narratives of Trauma
title_short The Haunted House in Contemporary Filmic and Literary Gothic Narratives of Trauma
title_sort haunted house in contemporary filmic and literary gothic narratives of trauma
topic trauma
dissociation
ghosting
Gothic
haunted houses
maze
url https://journals.openedition.org/transatlantica/5933
work_keys_str_mv AT monicamichlin thehauntedhouseincontemporaryfilmicandliterarygothicnarrativesoftrauma
AT monicamichlin hauntedhouseincontemporaryfilmicandliterarygothicnarrativesoftrauma