Music as a (Science as a) Liberal Art at Princeton
The influence of ‘scientific’ methodology and discourse on the design of Princeton University’s research programs in music theory and composition has often been asserted, but never adequately defended or contextualized. The literature on this subject has suffered from several flaws: an over-emphasis...
Saved in:
Main Author: | Aaron Girard |
---|---|
Format: | Article |
Language: | deu |
Published: |
Gesellschaft für Musiktheorie (GMTH)
2010-01-01
|
Series: | Zeitschrift der Gesellschaft für Musiktheorie |
Subjects: | |
Online Access: | https://storage.gmth.de/zgmth/pdf/563 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Musiktheorie als exakte Wissenschaft. Milton Babbitts Modell einer ›scientific method‹ zur Formulierung musikalischer Konzepte
by: Christoph Neidhöfer
Published: (2005-04-01) -
Erinnerungen
by: Clemens Kühn
Published: (2016-01-01) -
Dahlhaus und die Poetik des Zweifels
by: Thomas Christensen
Published: (2016-01-01) -
Music Theory: Speculation, Reasoning, Experience. A Perspective from Systematic Musicology
by: Albrecht Schneider
Published: (2010-01-01) -
Intervallsatz und Geschichte
by: Folker Froebe
Published: (2016-01-01)