Arthur Danto and Art world
The American philosopher Arthur Danto left a bright mark in the history of contemporary art as his analyst, critic and even artist. In the mid-1960s, Arthur Danto first introduced the analytical method to the field of philosophy of art in order to evaluate the heuristic capacities and ways of app...
Saved in:
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
Omsk State Technical University, Federal State Autonomous Educational Institution of Higher Education
2019-12-01
|
Series: | Омский научный вестник: Серия "Общество. История. Современность" |
Subjects: | |
Online Access: | https://www.omgtu.ru/general_information/media_omgtu/journal_of_omsk_research_journal/files/arhiv/2019/%D0%A2.%204,%20%E2%84%96%204%20(%D0%9E%D0%98%D0%A1)/117-121%20%D0%9D%D0%B5%D1%85%D0%B0%D0%B5%D0%B2%D0%B0%20%D0%98.%20%D0%9D..pdf |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Summary: | The American philosopher Arthur Danto left a bright mark in the history of
contemporary art as his analyst, critic and even artist. In the mid-1960s, Arthur Danto
first introduced the analytical method to the field of philosophy of art in order to
evaluate the heuristic capacities and ways of applying analytical tools to the art.
Deep vision into the very essence of the transformations that shook the art of the
1960s, and keen interest in the work of artists of conceptual pop art, it’s all pushed
Arthur Danto to study the problems of language boundaries in the art. The concept
of Art as the independent World with its laws and transformations allowed Arthur
Danto not only to eliminate the problem of definition of art, but also to present a
holistic picture of the development of art of the late 20th century |
---|---|
ISSN: | 2542-0488 2541-7983 |