Sages comme des images ? Les héroïnes sensationnalistes et le monde de la mode
If the sensational heroines shocked the critical establishment because of their passionate character or of their murderous drives, they were also criticized for the way they fashioned their bodies, using artificial aids to appear seamless beauties. This paper aims to study the way the sensation nove...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2006-12-01
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| Series: | Cahiers Victoriens et Edouardiens |
| Online Access: | https://journals.openedition.org/cve/12526 |
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| _version_ | 1832581279351046144 |
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| author | Laurence Talairach-Vielmas |
| author_facet | Laurence Talairach-Vielmas |
| author_sort | Laurence Talairach-Vielmas |
| collection | DOAJ |
| description | If the sensational heroines shocked the critical establishment because of their passionate character or of their murderous drives, they were also criticized for the way they fashioned their bodies, using artificial aids to appear seamless beauties. This paper aims to study the way the sensation novels play upon images—from paintings to fashion plates—which display the extent to which modern femininity is artificial. In Mary Elizabeth Braddon’s Lady Audley’s Secret (1861-1862), the detective must learn to read pictures, from a Pre-Raphaelite portrait to books of beauties, so as to unveil the identity of the eponymous heroine, discovering in the process the way consumer society breeds female duplicity. |
| format | Article |
| id | doaj-art-03f94296683542b3b2fcd9074f9f65af |
| institution | Kabale University |
| issn | 0220-5610 2271-6149 |
| language | English |
| publishDate | 2006-12-01 |
| publisher | Presses Universitaires de la Méditerranée |
| record_format | Article |
| series | Cahiers Victoriens et Edouardiens |
| spelling | doaj-art-03f94296683542b3b2fcd9074f9f65af2025-01-30T10:21:20ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492006-12-016410.4000/cve.12526Sages comme des images ? Les héroïnes sensationnalistes et le monde de la modeLaurence Talairach-VielmasIf the sensational heroines shocked the critical establishment because of their passionate character or of their murderous drives, they were also criticized for the way they fashioned their bodies, using artificial aids to appear seamless beauties. This paper aims to study the way the sensation novels play upon images—from paintings to fashion plates—which display the extent to which modern femininity is artificial. In Mary Elizabeth Braddon’s Lady Audley’s Secret (1861-1862), the detective must learn to read pictures, from a Pre-Raphaelite portrait to books of beauties, so as to unveil the identity of the eponymous heroine, discovering in the process the way consumer society breeds female duplicity.https://journals.openedition.org/cve/12526 |
| spellingShingle | Laurence Talairach-Vielmas Sages comme des images ? Les héroïnes sensationnalistes et le monde de la mode Cahiers Victoriens et Edouardiens |
| title | Sages comme des images ? Les héroïnes sensationnalistes et le monde de la mode |
| title_full | Sages comme des images ? Les héroïnes sensationnalistes et le monde de la mode |
| title_fullStr | Sages comme des images ? Les héroïnes sensationnalistes et le monde de la mode |
| title_full_unstemmed | Sages comme des images ? Les héroïnes sensationnalistes et le monde de la mode |
| title_short | Sages comme des images ? Les héroïnes sensationnalistes et le monde de la mode |
| title_sort | sages comme des images les heroines sensationnalistes et le monde de la mode |
| url | https://journals.openedition.org/cve/12526 |
| work_keys_str_mv | AT laurencetalairachvielmas sagescommedesimageslesheroinessensationnalistesetlemondedelamode |