The Beholder’s Hurt Feeling
This contribution discusses the implications of Weimar Classicism and its modern consciousness of the hermeneutical difference between antiquity and present on the perception and the methods of restoration. On the basis of Johann Heinrich Meyer’s and Johann Wolfgang Goethe’s experiences with modern...
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| Format: | Article |
| Language: | English |
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Association CeROArt
2012-04-01
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| Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| Subjects: | |
| Online Access: | https://journals.openedition.org/ceroart/2401 |
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| _version_ | 1832578080357482496 |
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| author | Claudia Keller |
| author_facet | Claudia Keller |
| author_sort | Claudia Keller |
| collection | DOAJ |
| description | This contribution discusses the implications of Weimar Classicism and its modern consciousness of the hermeneutical difference between antiquity and present on the perception and the methods of restoration. On the basis of Johann Heinrich Meyer’s and Johann Wolfgang Goethe’s experiences with modern restoration in Italy it is shown how a critique of previous restorations leads to a new sensibility in dealing with artworks and as a consequence to an aesthetic of the fragment. |
| format | Article |
| id | doaj-art-03f707535ad74d48a6263b0e31229d62 |
| institution | Kabale University |
| issn | 1784-5092 |
| language | English |
| publishDate | 2012-04-01 |
| publisher | Association CeROArt |
| record_format | Article |
| series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| spelling | doaj-art-03f707535ad74d48a6263b0e31229d622025-01-30T14:13:51ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922012-04-0110.4000/ceroart.2401The Beholder’s Hurt FeelingClaudia KellerThis contribution discusses the implications of Weimar Classicism and its modern consciousness of the hermeneutical difference between antiquity and present on the perception and the methods of restoration. On the basis of Johann Heinrich Meyer’s and Johann Wolfgang Goethe’s experiences with modern restoration in Italy it is shown how a critique of previous restorations leads to a new sensibility in dealing with artworks and as a consequence to an aesthetic of the fragment.https://journals.openedition.org/ceroart/2401restorationaestheticstheoryMeyerGoethereception |
| spellingShingle | Claudia Keller The Beholder’s Hurt Feeling CeROArt : Conservation, Exposition, Restauration d'Objets d'Art restoration aesthetics theory Meyer Goethe reception |
| title | The Beholder’s Hurt Feeling |
| title_full | The Beholder’s Hurt Feeling |
| title_fullStr | The Beholder’s Hurt Feeling |
| title_full_unstemmed | The Beholder’s Hurt Feeling |
| title_short | The Beholder’s Hurt Feeling |
| title_sort | beholder s hurt feeling |
| topic | restoration aesthetics theory Meyer Goethe reception |
| url | https://journals.openedition.org/ceroart/2401 |
| work_keys_str_mv | AT claudiakeller thebeholdershurtfeeling AT claudiakeller beholdershurtfeeling |