Mist-lining of a baroque painting
The paper presents the mist-lining method, executed on the Baroque paintingJesus among Teachers (Jezus med učeniki) from the St. Trinity Church in Ljubljana. The procedure was selected with consideration to previous research and comparison to the nap-bonding method, quantities of glue used, the weig...
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Format: | Article |
Language: | English |
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Association CeROArt
2014-03-01
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Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
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Online Access: | https://journals.openedition.org/ceroart/4049 |
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author | Andreja Ravnikar |
author_facet | Andreja Ravnikar |
author_sort | Andreja Ravnikar |
collection | DOAJ |
description | The paper presents the mist-lining method, executed on the Baroque paintingJesus among Teachers (Jezus med učeniki) from the St. Trinity Church in Ljubljana. The procedure was selected with consideration to previous research and comparison to the nap-bonding method, quantities of glue used, the weight of the added material, as well as the ease with which the lining could be removed at a later time. Both methods were tested on various linings in view of the two basic principles – minimal intervention and reversibility. |
format | Article |
id | doaj-art-02d3f15121d945c7954203545265ac0a |
institution | Kabale University |
issn | 1784-5092 |
language | English |
publishDate | 2014-03-01 |
publisher | Association CeROArt |
record_format | Article |
series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
spelling | doaj-art-02d3f15121d945c7954203545265ac0a2025-01-30T14:13:01ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922014-03-01410.4000/ceroart.4049Mist-lining of a baroque paintingAndreja RavnikarThe paper presents the mist-lining method, executed on the Baroque paintingJesus among Teachers (Jezus med učeniki) from the St. Trinity Church in Ljubljana. The procedure was selected with consideration to previous research and comparison to the nap-bonding method, quantities of glue used, the weight of the added material, as well as the ease with which the lining could be removed at a later time. Both methods were tested on various linings in view of the two basic principles – minimal intervention and reversibility.https://journals.openedition.org/ceroart/4049reversibilitymist-liningwoven supportstabilizationminimal intervention |
spellingShingle | Andreja Ravnikar Mist-lining of a baroque painting CeROArt : Conservation, Exposition, Restauration d'Objets d'Art reversibility mist-lining woven support stabilization minimal intervention |
title | Mist-lining of a baroque painting |
title_full | Mist-lining of a baroque painting |
title_fullStr | Mist-lining of a baroque painting |
title_full_unstemmed | Mist-lining of a baroque painting |
title_short | Mist-lining of a baroque painting |
title_sort | mist lining of a baroque painting |
topic | reversibility mist-lining woven support stabilization minimal intervention |
url | https://journals.openedition.org/ceroart/4049 |
work_keys_str_mv | AT andrejaravnikar mistliningofabaroquepainting |