Open Water Jumping: Clearing Obstacles in the Negotiation of French Rights to The Black Stallion

Walter Farley’s stallion, Black, is certainly remembered as one of the most famous and beloved animals in Hachette’s Bibliothèque verte. The numerous titles in the “Black Stallion” series were reedited several times, and ultimately achieved high sales. The story of the introduction of the series in...

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Main Author: Cécile Cottenet
Format: Article
Language:English
Published: Association Française d'Etudes Américaines 2023-06-01
Series:Transatlantica
Subjects:
Online Access:https://journals.openedition.org/transatlantica/20751
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author Cécile Cottenet
author_facet Cécile Cottenet
author_sort Cécile Cottenet
collection DOAJ
description Walter Farley’s stallion, Black, is certainly remembered as one of the most famous and beloved animals in Hachette’s Bibliothèque verte. The numerous titles in the “Black Stallion” series were reedited several times, and ultimately achieved high sales. The story of the introduction of the series in France in the aftermath of World War II, and its inclusion in this now-classic library of children’s texts, is largely unknown. Behind the scenes of the transatlantic negotiations, a narrative of complex, arduous discussions between author, series editor and agents unfolds, revealing the roles played by mediators usually forgotten by literary history. Based on archival evidence, this article develops a book history perspective to shed some light on these long negotiations that took place between 1941 and 1964.
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record_format Article
series Transatlantica
spelling doaj-art-0232d48b7cd6405289a3436272aeae8f2025-01-30T10:42:50ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662023-06-01110.4000/transatlantica.20751Open Water Jumping: Clearing Obstacles in the Negotiation of French Rights to The Black StallionCécile CottenetWalter Farley’s stallion, Black, is certainly remembered as one of the most famous and beloved animals in Hachette’s Bibliothèque verte. The numerous titles in the “Black Stallion” series were reedited several times, and ultimately achieved high sales. The story of the introduction of the series in France in the aftermath of World War II, and its inclusion in this now-classic library of children’s texts, is largely unknown. Behind the scenes of the transatlantic negotiations, a narrative of complex, arduous discussions between author, series editor and agents unfolds, revealing the roles played by mediators usually forgotten by literary history. Based on archival evidence, this article develops a book history perspective to shed some light on these long negotiations that took place between 1941 and 1964.https://journals.openedition.org/transatlantica/20751mediatorsThe Black StallionFarley (Walter)Bibliothèque verteagents
spellingShingle Cécile Cottenet
Open Water Jumping: Clearing Obstacles in the Negotiation of French Rights to The Black Stallion
Transatlantica
mediators
The Black Stallion
Farley (Walter)
Bibliothèque verte
agents
title Open Water Jumping: Clearing Obstacles in the Negotiation of French Rights to The Black Stallion
title_full Open Water Jumping: Clearing Obstacles in the Negotiation of French Rights to The Black Stallion
title_fullStr Open Water Jumping: Clearing Obstacles in the Negotiation of French Rights to The Black Stallion
title_full_unstemmed Open Water Jumping: Clearing Obstacles in the Negotiation of French Rights to The Black Stallion
title_short Open Water Jumping: Clearing Obstacles in the Negotiation of French Rights to The Black Stallion
title_sort open water jumping clearing obstacles in the negotiation of french rights to the black stallion
topic mediators
The Black Stallion
Farley (Walter)
Bibliothèque verte
agents
url https://journals.openedition.org/transatlantica/20751
work_keys_str_mv AT cecilecottenet openwaterjumpingclearingobstaclesinthenegotiationoffrenchrightstotheblackstallion